That was already public domain twice over—uncreative catalogues of data aren’t copyrightable in the United States (see Feist v. Rural), and works of the U.S. federal government aren’t copyrightable in the United States.
> And I’ve been wondering why would anyone buy the cassette or CD?
I have no interest in cassette or vinyl. I love CDs because they provide the highest music quality, uncompressed audio that’s trivial to rip to lossless FLAC files, complete with metadata.
Sure, but on the whole I’d take getting FLAC directly over CDs. Not that I don’t have CDs, even deluxe editions with picture books and stuff, but I pretty much never get them out.
I can understand people preferring vinyls as physical artefacts, the full frame jackets of my father’s albums are gorgeous in a way that’s distinct from and superior to CD album art, even if the music bit is markedly inferior technically (although that technical inferiority has led to better musical end results in some cases, you can’t compress the shit out of a vinyl, then again hopefully that time is long on the past).
Yeah. But my point is mostly that the CD remains nothing but a transmission vessel for the audio, I don't know anyone and have seldom heard of people who value CDs for their physicality as a CD. Unlike vinyls which they very much do.
You misunderstood. He’s saying that Google provides 7 years of device updates only for the Pixel 8 and later. That’s true: Pixel 6 and Pixel 7 only get 5 years of updates.
“The Fifty Shades trilogy was developed from a Twilight fan fiction series originally titled Master of the Universe and published by [E. L.] James episodically on fan fiction websites under the pen name ‘Snowqueen Icedragon’.”
> Note: copyright is based on the translation date, not the original language.
It’s based on both. For example, a translation or other derivative work whose copyright expired “early” in the US due to non‐renewal would still be encumbered by the copyright of the original. That’s basically what happened to It’s a Wonderful Life—the film is technically in the public domain, but is still held in Paramount’s iron grip by way of the renewed copyright of the original short story.
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